I’m reading a chapter of Body and Mature Behaviour, Moshe’s most scientific book, originally published by Routledge in 1949, reviewed at the time in the NEJM and the Quarterly Review of Biology.
I’m working through the chapter on Pavlovian conditioning (Chapter 6). It might seem that the process of conditioning a dog’s salivation is far from the kind of learning we do in Feldenkrais. Feldenkrais is about developing the capacity for a creative and attuned response to our environment, manifesting more clearly our intention, with elements of spontaneity and problem-solving, right? So what’s the path from reductionist behaviourism to what we do?
There’s a lot of thinking about this in what follows. This may invoke entirely different kinds of sleepiness in you. If you want to cut to the chase, get to the point, and experience a small epiphany about the relationship between doing Feldenkrais classes and feeling sleepy, click here.
In this chapter, Feldenkrais characterizes a reflex as a global response to a particular stimulus. He gives a familiar description of human perception and action from the behaviourists of his era: we experience an enormous range of sensory input, and respond to just a small select range of the stimuli we experience, and do so with only a limited range of reactions (cue the Quine, all you philosophers who inexplicably think he’s a brilliant and elegant writer, so would like to see his formulation of the point quoted here).
I’ve never bought this line–we have millions of nerve endings, and they fire or don’t fire, which already shrinks that supposedly rich input to a very thin gruel–unless the behaviourist is presupposing a great deal of what s/he claims to do without. If we think the stimuli coming in are infinitely rich (booming buzzing confusion, or vast array of heat and cold, hard and soft, smooth and rough, light and dark…much less anything richer than that), it’s because we presuppose a great deal of active synthesizing–or the whole actual richness of the world–or both. No matter–suffice to say that the world is full of lots of things, static and dynamic, and we react to a limited range of events around us, and each reaction, from some perspective or another, is one from a limited set of possible reactions, and a reaction of the whole person–or brain, or nervous system (three things, let’s leave it loose for now).
The idea that our range of our reactions is limited in comparison to the input is another one that only takes you as far as it takes you, by the way. What do you have to presuppose about human interests such that all instances of salivating are one and the same stereotyped reaction, and not a bunch of different individual instances, each as subtly differentiated from the others as from anything else, on a long continuum? How do you look at the immense range of things human beings do in reaction and relation to the world (music, art, dancing, painting, drawing, sculpture, science, worship, gossip, building, etc.) and claim that in comparison to the infinity of the world, the repertoire of human responses is limited? That’s not to say that assuming a limited set of responses (conditioned by the limited set of interests in the world that we presuppose–usually those relating to our understanding of biological function) is invalid, but transparency in our theorizing is a nice attribute.
This is something I don’t usually do, by the way–I take Feldenkrais experientially almost all the time, and don’t bother with applying philosophical analysis to his behaviourist and libertarian/individualist philosophy. You can get so much out of Feldenkrais without worrying about this. But then here’s the position I find myself in when I do engage more critically: since I reject his reductionism and his individualism, it looks to some like I present a stripped down version of the Method, one that is less ambitious in scope than what he claims for it. He claims it as a complete psychology. But he does so on the basis of a particular account of human psychology: a behaviourist one. So here I am, working inconclusively through my thoughts on this.
He wants to take the Pavlovian idea of conditioning existing responses to link them with new stimuli (from the food to the bell) as a model for learning in general, although on the face of it, there is a large gap between how unconditioned reflexes (blinking at the flash of a bright light, salivating on the sight/smell/taste of food) are harnessed as learned responses to new stimuli, and the development of voluntary action–which is where most of human learning and psychology lie. But for Feldenkrais this basic idea (of the conditioned response of the whole organism triggered by a single element in the environment) is his account of immature function, neuroticism, and general human eccentricity. It’s the place where his behaviourist psychology meets the more humanistic/new-age psychological idea that the wrong or neurotic or less than ideally productive response to a situation occurs because there’s some element in the situation that reminds us of e.g. some long-ago trauma, or our family of origin.
He doesn’t use the term ‘eccentricity’, by the way–he calls it ‘queerness’–long before queer theory or identity came along, of course, but it’s worth noting that this may all be heavily politically charged. Shall we start into a gender analysis of Moshe’s account of maturity vs. emotionality and human connection in community? Another day.
He has a neurological account of how this generalization only happens and/or matters when the situation is emotionally charged: if a stimulus and response are emotionally and relationally neutral, even if they are unpleasant or painful, nothing that distorts adjustment in the long run results. This is absolutely central to the debate in my head (and on Feldyforum) about more or less psychological interpretations of the Method, but I’m not going to focus on it right now. I’ll think about it some more another day.
Feldenkrais moves on in the chapter following this one (discussed here) to consider postural reflexes, which is a subset of human motor control and learning, and certainly a huge part of the Method–and in this chapter I’m now reading, one of the things he outlines is Pavlov’s toolbox for extinguishing or inhibiting habits, qua conditioning built on reflexes.
I think that the Method, like the Socratic one, needs to create a certain aporia in students–to rid us of our mistaken responses/ideas, so that new ones more intelligently attuned to intention and environment might emerge. So that’s how I’m reading this chapter–whether or not I buy the entire behaviourist and reductionist picture of human psychology, there is certainly a host of learning built on reflexes around managing ourselves in movement (as one of the four elements of action) in gravity, that Feldenkrais addresses, and in drawing on Pavlov, he’s developing an account of how to foster and inhibit particular responses to stimuli–particularly, how to inhibit. You can get a reasonable summary of these mechanisms on wikipedia’s article on (classical conditioning), or look up Pavlov’s Conditioned Reflexes itself on google books.
We’ll get to falling asleep in class soon. If you aren’t already asleep.
So in this chapter, Feldenkrais outlines how a conditioned response is set up, and how it is inhibited. There’s overlap here: a conditioned response is generalized and sloppy at first. The dog responds to any tone of bell, before figuring out which one is followed by food and refining his response to that particular one. I said ‘figuring out’, but this isn’t entirely about intellectual sloppiness: the excitement of neurons is messy in the brain, and all sorts of adjoining structures (not intellectually adjoining in the structure of ideas, but neurologically adjoining in the way that the genitals and toes happen to map next to one another in the sensory cortex etc.) get dragged into the action before the dog learns to inhibit the adjoining areas and have a more focussed response. So learning connections also involves differentiating and inhibiting (insert wisdom of the east, all action includes inaction, yin and yang, etc. here).
And how does unlearning a learned reaction happen? He talks about various mechanisms of inhibition. You can stop the dog salivating at the bell if you stop presenting the food after the bell. When you do that technique but with a trace reflex (a reflex that was conditioned with a long delay between stimulus and reward), you get the result that explains sleepiness in class.
(There’s a lot of other important discussion in this chapter about induction, and irradiation, and other mysteries of Feldenkrais, and I’m going to leave those to another day too.)
Cut to the chase: sleepiness in class
That’s all a long-winded way of getting to the topic so suggestively proposed in the title. What does this have to do with falling asleep in class?
Moshe talks about how, in learning a new habit a la Pavlov, the new habit is generalized first–the dog salivates at any pitch of bell it hears. But as the learning continues, the dog increasingly discriminates the details of the conditioned stimulus, and salivates only at the right pitch. And inhibition is the same, he says: when an animal is gradually inhibiting a response, particularly where that response is a trace reflex (relatively distant in time from the stimulus), there may be a stage of falling asleep, before the inhibition becomes more precise. The inhibition (like the excitation) is at first generalized–the whole system falls asleep–and later is more precise–the specific response that is being extinguished is inhibited.
So perhaps when a lesson is teaching you that you can (e.g.) lift your head without tightening your shoulders and neck and low back first to prepare, you may go through a stage when the inhibition you’re learning takes the form of a general drowsiness, or even sleep–before you refine that to the idea that it’s specifically your neck and shoulders and back extensors you can inhibit, when doing this particular action of raising your head.
Neat idea, I thought, when I read it!

In the book “Potent Self and other books – Morse talks about “induktion” – what kinde of neurological effect is it he tryas to explain or deskribe?
In my training, partly because of my own life stage, and partly because of the culture of the Feldenkrais community, I set all this aside. I needed a break from philosophy for myself, first and foremost, and I valued the experience of Feldenkrais and felt at the time that I didn’t want to split energy with interrogating it. This is not really logical; it was just a matter of that moment in my life. I had 12 years of philosophy while not noticing a somatic experience, and I was in pain–so I took eight months over four years on the floor not “philosophizing” in the way I knew. It helped that I did this in Spanish. My life was reduced to basic vocabulary and sentence structures. I came out of it able to philosophize again, not from the curious hybrid graduate school persona of Wittgenstein-in-1918-in-Canada-in-2000, but from a new place. Still finding out what that is.
That worked out at that time. It would also be a great experience to work through the training somatically and philosophize at all levels at the same time. Almost no one in the community agrees with us about that!
hi Lynette,
thanks a lot for this paper.
I would make some joke: if you was writting this in French formation, you would be out of this formation.
it’a mistake to think, to analyse the “bible” ;the disciple (français), do not authorise, reflexion, they forget than Moshé Feldenkrais, gave us a field of question, and here is it work. the book is bounded to the ideology of a particular time, a particular culture.
thank you to separate , the beautiful search of Moshe, and such idea of this book
Yveline
Also, not to be patronizing, but our teachers are human beings with their own strengths and weaknesses. They deliberately chose the path of following a method given by a person–many of them specifically rejected a more academic and intellectual approach. They just aren’t comfortable in this realm, so they try to stop it from encroaching on them, and they have the power to do so. Like often in human life. The injustices are obvious. When we’re at the training, we can spend time trying to force them out of their comfort zone, or we can learn what they have to offer from within their own comfort zone. Kind of patronizing, I know. You can probe with each one–do they like thinking more broadly? Yes or no? How much do you want to invest in displaying the emperor’s clothing state and/or forcing people to change? Learn what you can from them (because the intellectualized set, it’s true, doesn’t know and can’t teach this stuff), seek kindred spirits, carry on conversations elsewhere….as you’re doing!
yes, you are wright…and wise, i think is the best way, as you do.
Feldenkrais is neuro-plasticity in all meaning, it’ pragmatic philosophy.
But, I would like to see the field of search, opened by Feldenkrais and …Yochana Rywerant, awaking the spirit for others possibilities.the human being is not only mechanical but also some time a man who suffered of exil, of torture , and I.F is often the best for him. we have to think about that. “articuler le changement” (Larry)est aussi ce que nous devons continuer à penser.
What’s so interesting and engaging for me is how many levels there are to the work, how many ways to explore the seemingly simple ball of yarn which is the Feldenkrais Method.
I’m a refugee from the academy–philosophy and theoretical anthropology–who found the work at a time when I desperately needed to re-inhabit my physical self. I welcomed the fact that I could take an ATM class and learn in a completely different way.
In the course of my training as a practitioner, I’ve been fascinated by the diversity of my fellow students and what they bring to the work–physical therapists, dancers, musicians, software engineers, of varying ages. Mostly we’ve approached the method pragmatically. My first ATM instructor admitted she found much of Moshe’s writing impenetrable; yet, she helped dozens of students uncover their potential.
The notion of bringing to bear a philosophical sensibility intrigues me–I’m wondering how that might clarify how I work with my own ATM students. Lots to chew on in your essay, Lynette.
Hi Angela,
That “learning in a different way” was/is something I took back to academic work. I’m much more attuned to the interplay of effort, organization, and freedom–in reading, thinking, theorizing–than before.
For me, there’s some sorting through to do about how to embody some core messages in the work–messages that often get put in terms of the power of individual mastery to accomplish anything and everything, personal responsibility and its acceptance/shirking, the roles of memory and community (i.e. as destructive of individual freedom) … Do I leave those messages out? Reframe them in empowering rather than individualizing and “responsibilizing” (for want of a better word) terms? That’s one way it touches on my ATM teaching.
Your note makes me sense there could be lots of other ways…I’m curious to hear where your thoughts take you!
-Lynette
Hi Lynette,
I love your blog. Your posts are really helping me understand some of the things I’m going through since discovering this work. The one on falling asleep in class was very revealing. I’m reading some of Feldenkrais’s works and its much more rewarding to study it when i can review someone else’s reflections on it.
I noticed that you have recordings of lessons on here. I was wondering if there are any copywrite issues with recording scripted lessons, or are all the lessons you posted original? Do Feldenkrais practitioners frequently make up their own lessons or do they strictly follow Feldenkrais’s original work? Thanks!
Hi Amelia,
I’m glad you’re finding the site helpful!
The lessons….if you look historically, people learned the method by going to the trainings, taking skeleton outline notes of lessons or just internalizing the movements; learning the hands-on work; and teaching from that. Gradually transcripts started to be produced, and now the huge project of the AY transcripts is done. So people teach in a mix of styles: you could describe the poles as “teaching the students” and “teaching the lessons.” I’m not sure what to say about what most do, but I think many are teaching from a variety of versions of a kind of lesson they’ve done, and adapting to the students in front of them.
Some of what’s recorded here very much follows the outline of (e.g.) an AY transcript. If the copyright holders had wanted to go that route, they might have said that things like this (or any teacher performing any lesson, on the model of a play production for example) are “derivative works,” but they never took that approach. They don’t want people recording and distributing verbatim reproductions.
-Lynette